Founded in 2022, Nahù is a company backed by Belco that specializes in the sourcing and distribution of cocoa. It connects cocoa farmers with artisanal chocolatiers and chocolate manufacturers worldwide, driven by a love of nature and the bonds it forges between people, based on transparency, quality, and sustainability. Its offer focuses on specialty cocoa beans, a training center unique in Europe, and the supply of equipment.

The new branding developed with the Nahù teams aims to be raw, refined, and rustic, a true reflection of the teams’ standards and commitment. A true standard-bearer for a new way of approaching human relationships, engaging with local communities, and working with a noble product, Nahù embodies a movement and a philosophy above all else. It is this level of detail and richness that we have infused into the brand identity system, which offers a unique flexibility of expression while positioning itself as a brand that carries a powerful message. Nahù brings people together and educates, forges a multitude of connections, and strives for quality and authenticity at all times. With a strong, balanced brand logo, a bold and straightforward color and typographic palette, an iconographic system offering infinite freedom, and a library of illustrations that provide real contextual power, Nahù’s new branding proves to be a perfect fit for the playground of this team of tireless explorers.

In collaboration with Vicente Granger (Senior Art Director).
Photo credit: @lelab.production

PCK Intellectual Property, based in Canada, brings together a seasoned and award-winning team of intellectual property experts who have guided thousands of companies through this legal labyrinth. Their expertise covers the whole spectrum: patents, trademarks, litigation and strategic advice. With their in-depth knowledge of patents, trademarks and copyrights, they ensure solid protection under U.S. and Canadian legislation. With offices in Toronto and Winnipeg, their international reach is a major asset. They transform intellectual property protection into a real lever for growth, beyond mere protection.

PCK chose Brand Brothers at the beginning of 2024 to transform its entire graphic identity, in order to reinforce the firm’s “boutique” positioning and highlight its high level of technical expertise – at the heart of a sector where graphic territories are particularly consensual, if not outdated. We therefore suggested that PCK take a different route in all areas of its visual presence. The logotype is a precise and sophisticated monogram, with a large width and a particularly distinctive ligature between the “C” and the “K”, the end of which points in two directions. This typographic construction, intended to live only in black, is contemporary, sensitive and stable. Based on the geometric foundations of the logotype, an abstract, balanced and structured symbol comes to life, evoking both protection and perpetual innovation. These key notions in PCK’s narrative are reflected in the entire visual territory: from iconography to typographic balances, via the color palette and the various print and digital media (posters, editorial elements, website…) worked on with the Toronto-based teams. Launched in March 2025, the new branding marks a new era for this major player in intellectual property, now endowed with a visual identity in line with its narrative and its own way of approaching the various facets of this business.

Rayon is a collaborative tool that democratizes architectural drawing. Speed, precision, scalability: a new-generation solution that opens up new potential for all architects and interior designers, thanks to advanced drawing tools, particularly exhaustive object libraries, and multi-user functionality that revolutionizes CAD software. To mark the launch of version 2.0, Brand Brothers helped the Rayon team redefine its entire graphic identity.

The typogram, built around a logic of perforated blocks, was designed in such a way that the pivotal characters, notably the R and Y, were immediately identifiable. A sequential logic between rectilinear and oblique characters on one side (R, Y, N) and round characters on the other (A, O), optically balances the logotype. On this basis, we developed a veritable library of extensive shapes, abstractly evoking the drawing of plans, while respecting the parameters of the logo’s characters. As a result, a rich, extremely flexible, evolving language is being developed for a multitude of digital and print media, culminating in the new web interfaces. A detailed brand book details all the possibilities of the new graphic territory, accompanying Rayon in its ambitions.

Datura is a micro roaster, offering an exclusive selection of premium coffees, with a focus on pure, aromatic profiles that highlight the nuances of different varieties and terroirs.

Ahead of the launch, which took place in March 2024 at the Paris Café Festival, Datura’s founder chose Brand Brothers to develop its identity and art direction. We developed an in-house typogram, balanced and mysterious, accompanied by a sensitive and orderly graphic environment. Spreading across the first packaging and printed materials, the graphic identity is intended to evolve, and will incorporate new coffee references and new developments over the coming months.

Geoffrey Gotfryd, already at the head of the famous Parsley, opens a second street-food restaurant on the rue d’Oberkampf, Vif. Partnered for the occasion with Alex Kiman, the restaurateur has created a menu of sandwiches and bowls based on grilled meats cooked on site. Marinades, seasonings and spice blends are all homemade. The made-to-measure barbecue is over 2 meters long and serves as a base for fresh, original and healthy recipes, inspired by oriental recipes, with a Parisian touch that makes it irresistible.

Brand Brothers, having imagined Parsley’s identity, continues to follow the chef in his prolific openings, with a raw graphic territory, a logo that modulates in 3 versions, thanks to a precise interaction between the 3 characters of the logo, which offers a natural visual system to the identity. This modular logo can be seen everywhere, and serves as the basis for the graphic design of the restaurant, part of whose walls are made up of a series of 3 posters repeated over the entire surface, as well as the iron curtain. A raw, minimal graphic language, enhanced by bright red, distilled in small touches.

Studio Hauteville is a photo and video studio located at 3 rue d’Hauteville, in the heart of Paris. The 160m² studio offers photographers, creative directors and producers a full range of high-end services in an intimate atmosphere. Brand Brothers was commissioned to design the visual identity for the inauguration of the venue in spring 2023.
Our proposal is based on a typogram with a logical, organized structure, but punctuated by graphic accidents that give it a character that is both charismatic and welcoming. This identity is brought to life on multiple media, including a series of graphic posters that enhance the studio’s interior design.

Reading Wild is a community of hyperactive readers, led by Sylvia Minne. In her own words: it’s live, it’s about sharing, it’s cool and it’s rock & roll. Like a music label, it is the love of books and reading, with codes, references, generosity, intimacy and the universality. Reading Wild proposes, through its website and events, to create an original and ideal library. The attitude is militant and supportive, with a perfume of casualness and accessible intelligence. Sylvia regularly brings together her “community of solitary people” in Paris to defend their unconditional love of books in their own way.

We helped her to transcribe this iconoclastic posture into a raw and elegant graphic identity. Around the signature “Stay Wild Keep Reading”, we composed a typographic logo entirely designed for Reading Wild. The graphic applications, crisp, radical, denote the classic universes of publishing and booksellers by combining the typefaces Replica – in capital letters – and Bely, as well as by both free and structured layouts, in black and white. The inauguration of the new visual territory took place at the Pavillon des Lettres in Paris in September 2018.